Sketchbook: The End!

RainbowIt’s been so long since I last posted one of them, but I didn’t stop drawing sketches of my sewing projects. Some of them were missing their colours, others their little fabric sample, and the last two I still needed to draw altogether, but I finally got to drawing and finishing all of them, and the sketchbook is actually full now: there’s no blank page left!

EucalyptCentauréeI won’t be starting a new sketchbook for my next sewing projects, I think one is enough, but I’m pretty stoked that I stuck to at least one of my resolutions for 2014! I hope this won’t stop me from going on drawing regularly in the next year, we’ll see…

Carreaux DirndlI don’t have a lot more to say about these drawings or sewing projects (I’ll probably write a round up at the end of the year, to tell about which garments I’ve been wearing or not and why, like I did last year), so I guess that’s it! You can click on each drawing to see the original blog post about the finished garment in question.

AubépineI hope to be back soon with a new finished sewing project, it’s been such a long time since I last completed one! I’m working on two at the moment: a grey corduroy version of this skirt and a sweater dress that’s proving to be so unflattering on me I’m almost sure it’s going to end up as a cropped sweater instead!

The Last Summer Dress

Centaurée1According to my Instagram, I started sewing this Centaurée dress at the beginning of July, and I finished it two weeks ago. Two months from start to finish, wow… It didn’t help that I spent three weeks away from my sewing machine of course, but still; I couldn’t bear seeing it hang unfinished in my sewing space anymore! At least it was still summer when I finished it, so I was able to wear it once before storing it away!

Centaurée2What took me so long, you ask? Well, I had this great idea in my head of gold piping between the geometric panels. Which means I had to line the bodice. And shell fabric plus lining plus very thick piping equals way too many layers at the side seams for the zipper to lay smoothly. I tried inserting that zipper about five times; I even tried hand-picking it to get more control, but to no avail. I thought I had to either make do with a horribly shoddy zipper, or say goodbye to my gold piping dreams.

Centaurée4Then it occurred to me, I could sew the side seam shut and insert an exposed zipper at the back instead! I found this white zipper with gold teeth in Paris. I thought it was going to look perfect on the dress, but back home I realised it was a separating zip. I could have kicked myself! I looked for a replacement here in Brussels, but apparently metal teeth zippers are all separating?

Anyway, once again I had to think of a plan B, which was to cut off the bottom of the zipper, cover it with a piece of the gold bias tape I had used for the piping, and call that a design feature…

Centaurée5There was no way I was not finishing that dress after all the time I had spent sewing the bodice panels! And the piping, oh my! Not even the execrable fabric could stop me from soldiering on. When I bought it it was advertised as 100% cotton, but the last time I went to that place they had changed the sign to cotton/poly blend. You know how they say that blends take the best of each fibre? This one took the worst: it wrinkles like cotton, but it presses (more like, doesn’t press) like polyester.

Centaurée3After all the problems I had during the making of this dress, it took me a few days before I could tell whether I liked the result or not. It’s not perfect, but I love its shape, which I find very flattering (at least from the front. As you can see in the picture above, there’s a small risk of looking pregnant from the side, ah well!) and all the little details I added such as the flat piping, the gold topstitching and the patch pockets!

Centaurée6