Apples and Roses

Last November, I was contacted by Nadja from Schnittchen. She wanted to know if I’d be interested in sewing one of their paper patterns for free. I had never tried a Schnittchen pattern before, so I was curious and went and took a look at what they had on offer. I didn’t want to try a pattern just because it was free; I wanted to try a pattern I would have bought myself. I saw a lot of things I liked, but the style of most of the patterns was still more modern than what I usually wear. The Zoe dress on the other hand seemed like something I would have bought with my own money: fit and flare silhouette, very high waist*, peter pan collar, pin tucks, cute sleeves… Need I say more?

*I’d say between high waist and Empire line.

Bodice and skirt pin tucks.

I debated using this rose and apple print from my stash or buying a solid colour fabric that would bring out the pin tucks better, but in the end I preferred using what I had on hand. Besides, I thought the dress might look pretty cute in that print! I had originally bought it from Stragier, on the same day as this other cotton print, because at €15 a metre they seemed like bargains in contrast with what you can usually find there (to give you an idea if you don’t know Stragier, Liberty tana lawn is by far one of their least expensive fabrics! 😱).

I didn’t make a muslin, but I did try on the basted bodice before sewing it for real. The only fit modification I made was rising the darts a touch. And I have to say I’m quite impressed with the fit of the dress! The bodice, sleeves and waistband are a size 36, the skirt a size 40.

Other than the small fit modification I’ve just mentioned, another minor change I made was adding side seam pockets. FYI, I placed the top of the pockets 7 cm below the bottom of the waistband.

I also added two decorative buttons at the neckline: I couldn’t find any markings for the placement of the collar, so I looked at the close-up pictures on the Schnittchen website and tried to keep the same distance between the two front ends of my collar as in that picture, but mine seem to have ended up a bit too far from each other and because of that the area looked strangely empty. Hence, two red buttons (from my stash – no idea where they came from, but if I had to guess I’d say my mother reclaimed them from an old garment) to fill that space. I think it’s one of those happy accidents because I love those buttons on the dress! Monsieur is less enthused: he doesn’t understand the need for buttons where there’s no opening. I myself have no problem with purely decorative buttons, as you may have gathered by now if you’ve been reading this blog for a while.

My last tiny deviation from the pattern concerns the zipper, which I chose to hand-pick. I could tell you that I wanted to get all couture or something, but I favour honesty over glamour so I must confess that I opted for the method that allowed me to sew from my couch! 😀 I also appreciate the control hand-picking a zipper gives you in comparison to inserting it by machine.

Sorry about the wrinkled skirt and sleeves: I had been wearing the dress all day before taking the pictures.

I haven’t found a lot of pictures of the Zoe dress on the net, and I actually haven’t found any apart from the technical drawing that showed its short-sleeved version (not even on the Schnittchen website), which is the version I chose to make. So I was bummed when I first tried on the dress with the sleeves, because I was expecting something else, something more like the sleeves of these two dresses, with gathers on top. I also found the Zoe sleeves aesthetically too long. But they were very comfortable, and I thought, why not try wearing the dress for a day first and then see whether I’m disappointed just because I was expecting something else or because I really don’t like the sleeves and should maybe shorten them? I’ve been wearing the dress a lot already, especially considering I finished it two weeks ago, and I can’t even see what the problem was anymore! As a matter of fact, the dress literally hasn’t seen the inside of my wardrobe yet!

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Advertisements

Polka Dots Again!

cami1Why did I wait so long to sew my first shirtdress?! I’ve been collecting patterns, fabrics and inspiration for years, but so many projects, so little time, such a slow seamstress, you know how it works…

Anyway, here is my first shirtdress then! The pattern is Pauline Alice’s Camí dress. This version is actually a wearable toile: I used some very inexpensive cotton (the same as this one and this one but in a smaller scale) which had a few flaws so that it wouldn’t bother me too much if things didn’t pan out. The buttons are vintage, from my mother’s stash.

cami2I first cut a size 36 bodice with 38 shoulders, but it was way too tight so I sized up to a 38 with 40 shoulders. It’s still not a good fit at the shoulders nor at the collar, which sometimes hangs a bit funny, but it’s passable. I wonder if lengthening the collar stand buttonhole a touch could not solve part of the problem. At the moment this button is not perfectly in line with the rest of the buttons/buttonholes as it should be, and this makes the collar tighter than intended. Not truly uncomfortable, but less comfortable than the collar of my Cardamome.

cami3The rest of the dress fits well (I lowered the waist darts by 2 cm), contrary to what some of these pictures, taken after a day of wear, would have you believe. The waist could maybe stand to be taken in a tiny bit? I’m not sure. The shoulders fit better (and the collar points hang better, too) when the collar is open, but I always wear it closed, so that’s not a satisfactory solution. This has not stopped me from wearing the dress a lot, especially since I usually pair it with a cardigan! Still, I really must learn to fit my (giant?!) shoulders!

cami4I didn’t use the skirt that is included in the pattern but cut twice the whole width of the 150 cm wide fabric x (60 cm + waist seam allowance + wide hem) for an extra full skirt! I also added a buttoned breast pocket (inspired by Annie Coton’s Camí and using Pauline Alice’s optional breast pocket template).

A lot of reviews of the pattern complain about too low pockets, and rightly so. I personally used Clémence’s nifty tutorial (in French, but she links to this one in English) to raise them and couple the left one with the invisible zip instead of placing it right under the zip.

cami7

Pocket AND invisible zip!

Another small complaint I have, which I haven’t read about anywhere, is the lack of precision of the pattern: a grainline arrow that isn’t parallel with the button placket by a couple millimetres (unless that’s intended?), shoulder and side seams that aren’t the exact same length on the front and back pieces (and yes, I triple checked, my tracing isn’t to blame)… Nothing serious, but it does make it look a little bit amateur, and I prefer it when things are more rigorous. I don’t remember encountering the same kind of issues making my Quart coat, so I’ll chalk that up to the Camí being Pauline Alice’s first pattern.

cami6I’d really like solving my shoulder fitting problem on this pattern, so I do intend to sew it again, but first I want to try the other shirtdress patterns I have in my stash, so it may take a while before I revisit this one!

Just you wait until I find my TNT pattern and the shirtdress might become the new gathered skirt!

cami5

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

With a Cherry on Top

Cherry1Hello! It’s been awhile hasn’t it?

Here is the last garment I sewed, a Sewaholic Saltspring dress! The fabric is a lovely rayon I bought from Goldhawk Road during a day trip to London with Mimolette last March. It’s not as drapey as the pattern recommends and actually looks more like a very lightweight cotton, but I think it works pretty well for this dress nonetheless. And it was suprisingly nice to work with, too, since it behaves like cotton. The only downside is that I need to press the dress after hanging it to dry or it looks a little bit crumpled and sloppy. Fortunately, it doesn’t wrinkle too much when I wear it, just when I wash it.

Cherry2I love love love the finished dress! And I also loved working with the pattern, which I found very well thought-out. I now understand why everyone kept raving about the shorter lining that helps keeping the blousing in place: it really does its job! I French seamed the skirt seams, and the bodice construction (at least without a zipper) encloses all raw seams, so the inside looks very neat. Also, thumbs up for the sew-along method for turning the straps right side out with a bobby pin: so easy, worked like a charm!

Cherry4It’s an easy pattern as is, but I made it even easier by omitting the zipper. I didn’t like the look of the partially open back of the original version, and I had read that one could put on the dress without a zipper, so that was a no-brainer.

To eliminate the zipper, I cut the back skirt on the fold instead of in two pieces. I could have done the same for the back bodice, but I didn’t think of that before I had already cut it in two pieces, so I just seamed it shut. This accidental back seam turned out quite handy to differentiate the front from the back when I’m getting dressed!

Cherry5Another modification I made was to sew an in-between version of the skirt, lengthwise. I added 20 cm to the shorter version, because I wanted my dress to have a late 70s, early 80s flair.

Cherry6You may have noticed that I’m wearing a cherry necklace in the pictures. When I finished the dress, I felt like it demanded to be worn with a cherry necklace, so I obliged and made one, since I didn’t own any! I’m fairly chuffed with the result, which I intended on wearing only with this dress, but have actually been wearing with an unexpected amount of outfits! The cherries and leaf are polymer clay and the stems pliable jewellery wire.

Cherry3This exact outfit has been my favourite one this summer. It’s a shame it’s not the kind of dress I can see myself wearing with tights and cardigans to transition it to fall, but at least I’ll be looking forward to wearing it again next summer!

Edenham Chelsea

Chelsea2I initially finished this dress on Christmas Eve, but since I had had to rush, I was not entirely happy with it. It was okay for a family Christmas supper, but I intended to wear it beyond that night, so I knew I had to change some details or I would not want to wear it for everyday life. So what was supposed to be my last project of 2015 became the first of 2016!

Chelsea1The first thing that did not satisfy me were the buttons. I realised at the very end that I did not have any that were suitable. I have a lot of buttons that I’ve gathered from here and there, yet never seem to find what I need for a specific project and most of the time have to buy some new ones instead. The only series of minimum three black buttons in my stash were too small, and I also thought they didn’t go with the style of the dress. I used them anyway because they were all I had, but I knew there was a good chance they were just a temporary solution. I also sewed them through both layers of the button band for lack of time, and although it was possible to get the dress on, it was not very convenient either. And the last straw, I had sewed them unevenly!

Chelsea3

Yay pockets!

I bought prettier buttons (at Veritas – smaller versions of the ones I put on this cardigan) and attached snaps to the button band. I had chosen snaps for this dress and have found them to be very practical, so I am now a snap convert for this type of dress.

While I was at it, I also rearranged part of the gathering. A small pleat had formed at centre front (you can sort of make it out in this picture) that made my eye twitch, so I unpicked and restitched a few centimetres.

Chelsea6But the worst thing was, the dress was way too short! Once again, alright for Christmas supper, all wrong for everyday life… There was not even enough length folded in the hem, so I could not get away with just letting out a few centimetres. I had to resort to adding a piece of fabric as an afterthought, and hated the effect… until I had the idea of covering the joint with some lace from my stash that I hand sewed in place.

Chelsea7The piece I added to gain some length (about 7 cm – the original length was 1 cm above the lace!) is in fact the pattern piece of the contrast band of the other version of the pattern, which I folded in two lengthwise to cover the pinked seams of that section. The rest of the dress is serged, but I had changed the thread to white for the yoke and I was too lazy to change it again. But I think the result looks quite nice now! The lace does a great job of covering the seam and I simply love how it looks. A very happy accident.

Chelsea4The main fabric is Edenham Liberty tana lawn. I cannot justify paying full price for Liberty, so I usually buy it either on sale or off eBay, where you can find quite a few good deals. The contrast fabric is a remnant of honeycomb stretch cotton (the same I used for the collars, plural, of this dress). The stretch factor bothered me a little bit, but I liked how opaque it was for a white fabric so that’s what I chose in the end. And with such a light fabric as this Liberty, there’s actually no real risk of the yoke getting distorted, which was what I feared. While we’re on the subject of Liberty, can someone explain to me how come I seem to be the only one whose Liberty wrinkles? I always read about how wonderfully soft it is and how vibrant the colours are, both of which are true and the reasons why I buy it in the first place… and how it doesn’t even wrinkle and, well, mine does! 😀 Not awfully, but still, it’s a cotton after all!

Chelsea5The pattern is the Chelsea dress by Christine Haynes. I sewed a size 4, the same as for my Emery, and didn’t bother with a muslin because I never bother with a muslin I knew this would be a forgiving fit. Except for the fact that I lengthened the dress and added snaps instead of buttonholes, I didn’t make any modifications.

It was an easy dress to sew and it’s an easy dress to wear, now that I’ve lengthened it. I just throw on my black Zinnia cardigan and I’m in a cute and comfortable outfit, with matching buttons!

Chelsea

Checkmate Dress

PiedDePoule1When I saw this dress in the September 2012 issue of BurdaStyle, I immediately fell for it and kept an eye open for a suitable fabric. I found what I thought was the perfect fabric about two years ago at the Stoffenspektakel, but I had so many other projects in mind that this one, like many others, got pushed back to end of the queue.

But this September, when I “needed” a dress for an upcoming party, this pattern seemed like the perfect choice.

PiedDePoule3I used black wool (from La maison des tissus) instead of the recommended leather for the pockets because I wanted the dress to be machine washable, and I didn’t bind the collar (I traced a facing instead). I also changed the back neckline for that of this top, which, in hindsight, was kind of a stupid idea: who wants to bare so much skin when wearing a thick wool winter dress?

I didn’t insert a zipper and the dress pulls on over the head easily. The idea of inserting a zipper on that b**** of a fabric was giving me nightmares, so I was relieved to have the possibility to skip this step! The fabric was the only difficulty I faced during the making of this dress, but without my serger, I simply don’t think I could have handled it! I literally breathed a sigh of relief once every edge of the dress was finished.

PiedDePoule4Sadly, I do not like the finished dress as much as I thought I would. It looks great on my dress form, but not so much on me… I cut a 36 for the bust/waist and graded to a 38 for the hips, when my hip measurement puts me in a size 40! With the fit and flare styles I mostly sew, I can usually get away with cutting the same size for the hips as for the bust and the waist, but I miscalculated the ease on this one, and as a result the dress feels a little bit tight at the hips. And with that fabric from hell, there’s no way I could let the seams out to gain a size. It’s such a shame, because I love the fit of those French darts!

PiedDePoule5

The dress and sleeve hems were serged, then turned and invisibly hand sewn.

This didn’t stop me from wearing it for two nights out, but now it’s waiting in storage while I figure out whether I’ll wear it again as a dress, shorten it to make a top, or donate it.

Ah well, at least now that the pattern has been traced, I can make another version, in my true size this time!

PiedDePoule2

Little House on the Emery

Emery1What better way to (re)start catching up with my backlog of unblogged garments than with one of my favourite ones?

This is a Christine Haynes Emery dress (size 4), made with lovely quilting cotton I bought (heavily discounted!) from Fabric Rehab. I lined the bodice with some lilac cotton I had lying in my stash.

Emery6I substituted a simple gathered skirt for the skirt of the pattern. I finished the dress fourteen weeks ago (thanks, Instagram!), so I don’t exactly remember why. Probably good old laziness… I remember thinking “yay, I’ll be able to tear the fabric for the skirt!” and then being disillusioned when realising that the fabric was printed a tiny bit off grain, just enough that it was impossible to keep the rows of houses of the print in line with the torn edges. So I had to cut along said rows of houses instead of perfectly on grain to make sure that the houses wouldn’t hang askew on the finished skirt.

Emery3Other than that, this was a pretty straightforward dress to make. However, as with absolutely every single sewing project of mine, there was a moment right near the end when I persuaded myself that it was going to be a dud (it’s a sickness, really!): this time I focused on the imperfect print matching at the back. I didn’t even try keeping whole houses on the skirt for lack of fabric, and weirdly this didn’t bother me at all, but I did try it on the back bodice and the almost but not quite entire houses running along the (hand-picked) zipper annoyed me so much that I couldn’t see anything else anymore. But as usual, after letting things settle for a while and especially after wearing the dress, I can barely see what was upsetting me so much at the time!

Emery4Now that I have been wearing the dress for a while, the only thing I might change for a future version would be to maybe shorten the bodice (or just the back bodice?) by a centimetre or two for an even better fit. The waist is also a little bit wider than I would have chosen, but this makes for a more comfortable dress, so I don’t think I would change that after all. I like my high-waisted skirts to have zero ease at the waist because otherwise they don’t stay put and among other things don’t look as nice with cropped tops as a result, but with a dress there’s no risk of the skirt part moving around since it is held in place by the bodice.

Emery2I’ll be back very soon to try and show you the rest of what I made… before the end of the year! Yes, I am so hopelessly rigid that, save for ones I would complete at the very end of the year, I just can’t start 2016 without having blogged all of my 2015 makes! Or maybe I am just looking for an incentive to start blogging regularly again? 😉

Emery5

Ma Pomme Dress

MaPomme1I made this dress as a replacement for one of my go-to summer dresses, which was one of the first garments I sewed. The dress in question was actually a vintage dress refashion, so it’s kind of a miracle that the fabric had held up for so long, but I was still sad when I realised I couldn’t wear it anymore.

Then again, I was also glad to have an excuse for sewing myself a new one of course!

MaPomme2I had bought the fabric (100% cotton; the brand is Little Darling) earlier this year at the Stoffenspektakel with this exact dress in mind. It was a delight to sew and is also really nice to wear.

As for the pattern, well, I didn’t use one! I drafted this dress myself, you see… OK, OK, my “pattern” is literally a rectangle! 😀 And two of the sides were in fact the selvedges of the fabric. So the cutting part was not too difficult: I just had to tear a piece of roughly the length of this dress (and a few centimetres more just in case – which I ended up using as you can see on the finished dress)… and that’s it!

Same with the shoulder straps: after I measured the desired length and width of my straps, I simply tore four pieces (not forgetting to add seam allowances), then rounded one of the short edges of each.

MaPomme3What makes the dress is the shirring of course. I used a method similar to this one (after sewing the fabric piece into a tube – with a French seam – and making a casing at the top to insert a piece of elastic afterwards to avoid ruffles) and it was, once again, very easy. But man did it take a long time! Eighteen rows of shirring along 1,50 m of fabric, I was feeling murderous near the end! Then I saw how cute the shirring looked and I relaxed a little bit. 😉

MaPomme4I forgot to take close-up pictures of the pockets, but they are almost the same (just a little bit deeper) as these ones, made following this tutorial. I did take a picture before attaching them to the dress, though. The buttons on the pockets are the same as the buttons on the straps, only smaller. I bought them at Veritas… in Luxembourg (I hadn’t found any I liked here in Brussels and I was spending two days there)! None are functional.

MaPomme5There are two small things I’m not so fond of with this dress. The first one, the fact that it creates a sort of semi muffin top under the arms (front and back), is inherent to this type of garment, at least on my body. And the second one is simply that I didn’t think to interface the shoulder straps and that they are a touch limp as a result. These two details are what stops me from loving this dress as much as I love the previous one I showed you, but I still like it a lot!

See you soon for the rest of my summer sewing projects!

Encina Dress

Encina1How time flies when you’re on holiday… I hadn’t planned on taking a blog break for the whole duration of my summer off from work, but these two months have flown by and I have just realised that I haven’t posted anything here since the end of June.

I have mentioned previously that I don’t like posting my finished makes in the “wrong” order, i.e. not in the order I finished them, but I have finally come to my senses: this would mean photographing my sundresses in the dearth of winter, which… nope, not going to happen!

Encina2So here is the last thing I made, and a clear favourite! I spent the month of August in Spain, and since I had just gotten rid of a few too old summer dresses, I needed to sew one or two new ones to take with me.

This one is a Japanese pattern, dress F1 from this book (how cute is the cover dress by the way?). As you can probably guess from the loose fit and simple design, it didn’t require a muslin and it was really easy and fast to sew. I made a size M (FYI, my bust is a Burda and Deer&Doe 36) and it was spot on; I didn’t need to take anything in or let anything out.

Encina4When I first inserted the back elastic, I thought it looked really weird, thick and lumpy, but I was surprised by how much better it looked on the finished dress, and although not perfect, it doesn’t bother me any when I wear the dress.

Encina5My only deviation from the pattern was adding two giant patch pockets, for aesthetic and practical purposes. At first I sewed them right along the side seams of the dress (as you can see here), but in the end I felt like they would look better placed about ten centimetres closer to the centre, so I unpicked and reattached them.

Encina6The fabric, a pale blue cotton with white trees, came from Stragier. It cost €15 a metre, which is more expensive than what I’m usually willing to pay for a simple cotton, but it seemed so much cheaper compared to the outrageous prices of most of the fabrics in the shop, and anyway, I couldn’t pass up such a lovely print! Because the trees reminded him of the oaks that adorn the country in the area where we spend our annual summer holiday, it was my boyfriend who dubbed the dress my “Encina dress”.

Encina3I’m particularly happy with this dress. It was unbelievably comfortable in the Spanish summer heat, and I also find it really pretty and surprisingly flattering (though I won’t be mad at you if you roll your eyes at my proneness to find potato sacks flattering…).

Next up, another favourite, the other dress I sewed for my Spanish trip!

Mademoiselle Marinette

Marinette1I don’t exactly remember how I stumbled upon Gasparine, I think it was via Instagram, but I do remember that I immediately fell hard for Miss Marinette. As a lover of 1920s fashion and nautical style, I could not resist its dropped waist and sailor collar and immediately ordered the pattern.

There was one detail I didn’t like, the elasticated low waist: I knew there was no chance for this to look good on me and I decided to simply omit the elastic, easiest modification ever. But when I first tried the dress on, it was way too long and, well, it did not look good at all. So I unpicked the waistband and reattached the skirt directly to the bodice, and that did the trick! It’s crazy how much a few centimetres of skirt/dress length can change the way a garment looks.

Marinette3All in all, the pattern was really easy to sew, to the exception of the collar, but the tutorial for that part made it fairly easy, too. The only step I had trouble with was no part of the pattern: the cotton trim I used had a strong tendency to shrink as I was stitching it to the rayon, which made it a total pain to sew. I managed to keep it under control on the skirt and sleeves, but not at the collar: it literally made the collar ties about five centimetres shorter each, argh! This made them difficult to tie, so I invisibly hand-sewed them in place.

Marinette5The fabric is some rayon I bought at Le Chien Vert. It’s a beautiful fabric, heavy and very fluid. Fearing that the pieces would distort as rayon is often prone to do, I stabilised not only the neckline but also all of the bodice seams with some Vlieseline Bias Tape T12 (I prefer that to staystitching).

Marinette4The pattern has you finish the neckline and sleeve hems with bias tape, but I did not have enough fabric to make some, nor did I want to use some stiff store-bought bias tape on such a fluid fabric, so I made a narrow neckline facing that I topstitched in place (leaving about two centimetres free, that couldn’t be reached by machine, under the collar on each side of the shoulders), and I serged and turned the sleeve hems. I also replaced the skirt gathers with pleats (four pleats, one under each bodice dart), because I had made such pleats on this dress and loved the effect.

Marinette2I like the finished dress very much; the only thing that bothers me a little is the fact that the collar got so distorted by the cotton trim that it sometimes gets a bit wavy, depending on the way I stand. But once again, I never think about it when wearing the dress. Oh yes, one thing that really bugs me is that I completely forgot to add pockets! I keep reaching for them, so I think I’ll have to muster the courage to add some side seam pockets to the finished dress someday…

Peachy Dress

Blush1Judging from my blog, you’d think I’ve completely given up on sewing and knitting, wouldn’t you? But I haven’t, not at all! I blame Instagram for the languishing of this space: it is so much easier instagramming what I’m working on or what I’ve just finished than bothering to clear up the space where I’m taking my blog pictures (you didn’t think it was always this pared-down, did you?), set up the camera and tripod, and check my hair, and strike a pose, and blah, blah, blah.

But I’ve decided to stop with the slothfulness and blog those unblogged garments already! My obsessive nature compels me to present them in the order I made them, so we’ll start with this dress I finished in, ahem, February!

Blush3The fabric was a birthday gift from Mimolette, who knew I had been fawning over Atelier Brunette’s beautiful designs but hadn’t taken the plunge yet (I have since bought three meters of this beauty). Bye Bye Birdie Blush: gotta love the alliteration. My birthday’s at the very end of September, so this fabric only spent five months in my stash, not too bad compared to the usual lot of fabrics in my house.

Like all cottons, it was very nice to sew with, but man does it wrinkle! Also, it has a tendency to forget that it’s 100% cotton and sometimes attracts lint like a common synthetic. I mostly wear it with this cardigan, which I wear with a lot of other pieces, yet this dress is the only one it sheds tiny pieces of black fluff on. Not that big of a deal, but it was surprising at first.

Blush4The pattern is from Stylish Dress Book 3 (Dress B). It’s a very simple pattern so I was sure I’d be finished in no time, but you know me, I’m never finished in no time!

I quickly realised that with such a light-coloured fabric, I’d have to add a lining or run the risk of putting my underpinnings on display. Luckily I had some beige Bemberg rayon in my stash, and putting in the lining was not too difficult. I did have to think twice about how to manage around the neckline facing and the sleeves, and finally opted to simply attach the lining by hand at the sleeves (but by machine everywhere else). While we’re on the sleeves, I trimmed those with a very small piece of this lovely cream lace (oops, still haven’t started on that blouse!).

Blush5I had planned on adding patch pockets to the dress, but later realised that there was no way the pockets I had in mind would work with the gathers of the skirt. So I had to ditch them in favour of side seam pockets, for which I had to unpick and redo the side seams of the skirt, argh!

Blush2The only thing I’m not happy about with looking at the finished dress is how high the waist is compared to the dropped waist I was imagining. I should have measured the pieces beforehand and compared them with my other dropped waist dress. Like most sewing mistakes, it never bothers me while wearing the dress, but I’ll definitely lower the waist if I ever sew that pattern again.

Now only eight more finished projects to blog to catch up on my backlog!