Froufrou

Peasant blouses are all I want to wear in (not too hot) summer, usually paired with a gathered skirt and either clogs or ballet flats. My favourite peasant blouse was a 1970s vintage one I had bought when I was a teenager, which I’ve been trying to find a replacement for since it got ruined in the wash (pro tip: don’t put a white blouse and a goose poop green cardigan in the same laundry cycle – I WAS TIRED OKAY?!).

On the hunt for peasant blouse patterns, I discovered Butterick 4685 through Constance’s lovely versions. I immediately fell in love with the ruffle version, which is the one I chose to sew.

I made this blouse a year ago, so I don’t really remember any details, only that it was quite easy to make and that I used bias tape inside the curved hem instead of turning the hem over as advised in the pattern. About that curved hem, I don’t think I’d include it were I to sew this pattern again. I only wear this kind of loose-fitting peasant blouse tucked into a skirt anyway (to the point that I didn’t even think to take some untucked pictures, sorry!), so straightening the hem would make more sense.

One of the reasons why I wouldn’t wear this blouse untucked (other than the fact that I actually prefer tucking my blouses into skirts) is the way it looks from the side: you’ll have to take my word for it since I forgot to take a picture , but it makes me look like I’m pregnant (that’s a classic and I don’t really mind) front AND back (less of a classic and I do mind!). That wouldn’t stop me from sewing this pattern again, though, since it looks perfectly cute once tucked in!

The fabric I used came from the Stoffenspektakel, as did the fabric of the skirt I’m wearing in the pictures! It’s a gathered skirt I sewed almost two years ago, but haven’t blogged because it is so simple there was no point in a whole blog post of its own. At least now I’ll have a record of it on the blog!

I added patch pockets with a folded top edge (you can click on the picture above to see them better) to my usual gathered skirt base. If the fabric of this skirt looks familiar, it’s because it’s the exact same print as these two jersey pieces, only in a cotton poplin this time!

Man have I worn this skirt these past two years! I’ve been wearing it with or without tights, summer and winter, and the fabric has held up beautifully. But wait, does this mean I haven’t sewn a gathered skirt in almost two years?! Must. Remedy. ASAP!

Advertisements

Cherries and Polka Dots

Ah, cherries! I don’t think I’ll ever get sick of them. I really can’t resist a good cherry print for summer. And if you throw some polka dots in the mix…

I bought this fabric at the Stoffenspektakel. There was only a 2 metre piece left, and I hemmed and hawed for a couple years before deciding on a pattern for it. But after making my flamingo dress, also from a small yardage, I immediately knew I had to use the same pattern for this cherry fabric, Woman W88 (a vintage pattern I bought on Etsy).

The pattern actually uses quite a lot of fabric, but I’ve only been using the bodice and strap pieces, substituting a gathered skirt the width of my fabric (x2) for the voluminous skirt of the pattern. I’m definitely planning on using the skirt of the pattern in the future, but this substitution has proven very useful when dealing with smaller yardages.

I did not make a lot of changes compared to my first version, only tiny modifications. First, I finished the neckline with a narrower bias tape. I’m not sure this was such a good idea. It looks good, yes, and I was able to topstitch it in place instead of slip stitching it, but it also means that I had to cut the hidden ends of the straps way shorter (thus more prone to fraying) than on my first version.

I also didn’t add the cute little strap bows this time. I felt one dress with these bows was enough, and I didn’t want it to be too obvious that I had two dresses that were exactly the same but for the fabric. For the same reason, I changed the shape of the pockets, too, from rounded to square.

One small fit problem I hadn’t noticed on my first version is that the waistline is maybe a touch too low. Another small fit problem I hadn’t noticed on my first version, probably because it was hidden by the bows, is that the two front neckline darts do not sit perfectly flush to my body. It’s barely visible (even less in the pictures), but a possible improvement to keep in mind for a future version.

Because there will be future versions of course. It’s the kind of pattern I can see myself sewing over and over again, changing only the fabric and small details.

Flamingos!

I. LOVE. THIS. DRESS.

I love it so much that I almost didn’t dare starting to wear it! I finished it about ten days before my travel to Spain, so I decided to save it for the travel and didn’t wear it before we left. Once in Spain, we spent a week in Madrid and I didn’t wear it because I wanted to save it for later. Then we arrived at the village where we spent the rest of the holiday… and I didn’t wear it because I felt it was too fancy for the village! So more than a month after finishing it, I hadn’t worn it even once!

Once we got back to Belgium, I kept postponing the first outing of this poor dress: it was not even that I feared damaging it; the problem was that I was afraid to wear it and realise it was not comfortable or didn’t fit as well as I thought or some other letdown and be disappointed. Don’t worry, I have since come to my senses and started to wear it! And it is comfortable, and it does fit as well as I thought it did! 😀

Which it should, since I made a muslin, but still, I was worried! I rarely make muslins. I know, I know, boo me! But I always check the measurements of the pattern and usually baste the garment together to check and correct the fit before I sew it for real. When in doubt, I also use fabrics that I like, so that I can wear the finished garment if it’s a success, but that I won’t cry over if things don’t work out the way they should.

But this fabric, ah, this fabric! I don’t remember where I first saw it, but it was out of stock, so I hunted it down for months (maybe years?) until I came upon it at the late Fabric Rehab. I bought enough to sew a Deer&Doe Belladone, which was what I wanted it for in the first place. When it arrived I realised it was thinner than what I had expected (I was expecting more of a quilting cotton and it is a poplin), so into the stash it went until I found a pattern that would be worthy of such a dreamy piece of fabric.

The pattern I bought on Etsy: it’s a vintage pattern, Woman W388. I loved the simplicity of it and thought such a simple silhouette would suit various fabrics from my stash, including and starting with my precious flamingo fabric. I was a bit bewildered when I opened the envelope to see that it was an unprinted pattern: quite surprising since I’d say it dates from the early sixties! But then I thought it would be nice to try my hand at an unprinted pattern for the first time with what seemed to be a pretty easy one. And it was!

I soon learned unprinted patterns are in fact no more difficult to use than printed ones. In case you’ve never used one, there are holes of different shapes in lieu of printed markings, that’s all there is to is. There’s a key to which shape means what (notches, darts, grainline…) in the instructions, but you don’t even really need it as it’s intuitive enough to be understood just by looking at the pattern pieces if you’ve ever used any pattern, printed or otherwise, before.

So I set out to trace the pieces and sew a muslin of the bodice. This first draft looked horrendous on me! The first obvious problem was that it was much too big. I took off 1 cm at each side seam (4 cm total) and things started to look more promising. I then shaved off between 1 and 1,5 cm from the top of the front piece and between nothing and 1,5 cm from the top of the back piece. I also cut a 2,5 cm wedge off the bottom of the back piece and tadaaa, perfect fit! Okay, maybe not perfect, but as perfect as I can achieve with my meagre fitting knowledge! I’m still debating whether that wedge I took off the bottom of the back piece should have been 2 cm instead of 2,5 cm and have not reached a definite conclusion yet.

The skirt didn’t need any fitting as it’s so full, plus I didn’t even use the skirt of the pattern, for which I didn’t have enough fabric. I made a simple gathered skirt, as full (the width of the fabric) and long as I could with the fabric I had left after having cut the bodice, straps and bias tape. Two widths of bias tape are used for this pattern: a smaller one for the little bows (ah, the little bows!) and a wider one to finish the neckline:

The pattern has you sew the straps inside the bias binding at the back (which I did) and then adjust the straps at the front and stitch them on top of the bias binding. I didn’t like that so I reopened the binding at the front placement of the straps after I had settled on a strap length and hid the strap ends inside. It’s much cleaner/prettier like that.

Another simple deviation from the pattern was the addition of pockets. I hesitated between side seam pockets and patch pockets and opted to use these cute rounded patch pockets I borrowed from a late 1950s robe pattern I had in my stash (McCall’s 4319). I think these pockets look lovely on that dress, so I think I’ve made the right decision.

Although I am one of those annoying people who can’t wait for autumn to start, I must say I’m going to be a bit sad to say goodbye to this summer dress for so many months (this might leave me enough time to find a well-fitting strapless bra to wear with it though, who knows? 😉). I am trying to get as much wear as I can out of it while it’s still possible. I once again took the pictures for this blog post coming home from work and this is the outfit I wore that (rainy) day… Minus a cardigan of course!

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

Enregistrer

The Clue of the Lady In Blue

NancyDrew1Like a lot of people who sew, there are many times when I finish a garment, vow to make another one because I like it so much… and then promptly forget about it.

So when I told you about how much I liked my first Ondée and how I was definitely going to sew other ones, I was conscious that, even though I intended to hold my promise, there was a good chance I’d be swayed by the next shiny new pattern and never keep my word.

NancyDrew3But lo and behold, I did keep my word on this one! And the Ondée sweater is such a fast sew that I actually made two in one afternoon! I’m showing you the first one today, a blue one with white collar, which is also the one I have been wearing non stop since its completion. The main fabric is a cotton/lycra knit from eBay seller Tia Knight. The collar fabric is the same I used on my first Ondée. Looking back at that post, I realise I forgot to mention that I had bought both mint and white jersey knits at the Stoffenspektakel, where you always find loads of high quality cotton/lycra jersey knits in every colour of the rainbow! I also forgot to mention the size I made: a 36, my usual bust/waist size for Deer&Doe patterns.

Like for the first one, I serged the whole top except for the collar (I didn’t feel like changing the serger thread to white just for the collar!), for which I used a zigzag stitch. Once again, I topstitched under the collar with a zigzag stitch.

NancyDrew4The skirt is also a repeat! It’s another version of this skirt I love and wear so much, based on the tutorial in Gertie’s book (also available on her blog). I don’t know how I managed that since I seem to remember I measured the waist of the first version, but the waist is a little bit looser than that of my first one. I intend to insert a small piece of elastic at the back to remedy that, but me and alterations, you know how it goes…

It’s a question of an inch, so the skirt is perfectly wearable as is, but it doesn’t stay in place as well as a skirt with zero ease at the waist.

NancyDrew5Despite that little flaw, I love that skirt so much and have been wearing it accordingly. Did you notice the print? It’s a Nancy Drew print! It’s from a discontinued Moda Fabrics line. As one of Nancy Drew’s biggest fans when I was a kid (while we’re at it, did you know that, in French, her name was “translated” to Alice Roy and she is widely known as Alice détective?), I couldn’t pass up this fabric when I found it three years ago at de Stoffenkamer. I bought it with the intention of making this exact skirt! I cut (more like, tore!) the pockets from the remnants so as not to waste any scrap that could be used. The fabric was narrow enough that I could use the whole width on each skirt panel… including the selvedges!

A note about the fabric: it has that very weird smell (almost, I don’t know… fungusy?) when being ironed. I thought this was maybe due to a storage problem of some sort, but it’s been washed quite a few times already and the smell is still going strong every time it gets ironed, so I’ve come to think it’s probably the dye itself that’s to blame. Luckily, it doesn’t smell at all once it’s cold!

NancyDrew2This outfit is nothing complicated, but I have been wearing it a lot these past few weeks. When the weather was a little bit warmer, I wore it mostly with this cardigan, and these days it’s finally been cold enough to pull this one out the wardrobe. It’s an outfit that I think is both cute and easy to wear. I won’t promise anything, but I’d really like a few duplicate versions!

Hello Polka Dot Skirt!

PolkaDots1Aaand here it is! Not the most complicated project, but I like the result very much!

I had been meaning to sew myself a skirt like that for years, but you know, so many ideas, so little time… The fabric is actually one of the firsts I ever bought! I had already sewn a skirt with it, which I wore a lot, but I’ve gotten more used to high waisted skirts (and pockets!) so I had been wearing it less and less and meaning to replace it with a new one.

PolkaDots2After sewing my modified Sureau, I was in desperate need of a simple project, one that I could complete in a day or two. I contemplated sewing a tote bag, then I set my mind on that gathered skirt. While I do need a (few) tote bag(s), getting a new skirt was much more tempting!

PolkaDots3The skirt itself took me a day but I decided to put off sewing the pockets to the next day so as not to rush things and make a mess out of them. And I must have made the right choice because everything went smoothly as can be; I didn’t use the seam ripper even once! Even the zipper went in without a hitch (okay, it’s not the most difficult kind, but still!).

PolkaDots5I used Gertie’s book to make the skirt pattern, but you can find the same information on her blog (part onepart two). For the pockets I followed A Fashionable Stitch’s tutorial. Both Gertie’s and this one were very clear and easy to follow and yielded great results.

PolkaDots7I’m really happy with the buttons: big ones on the pockets, small ones at the waistband. They’re from Gotex, one of my favourite fabric stores in Brussels, from a €1 bin full of old dusty button cards. The two buttonholes that close the waistband are a touch too small for the buttons, but at least they feel secure and they were parallel and the same size as each other, so I didn’t bother remaking them.

PolkaDots6I haven’t worn the skirt yet (I always fear if I wear a garment I haven’t photographed yet it will get ruined before I can take the pictures or something), but I’m pretty sure it will get in heavy rotation as it’s the kind of skirt I can see myself wearing both with or without tights, which means I can wear it all year long. I guess you’ll see it again soon with Me-Made-May coming up!

PolkaDots4

Sketchbook: Polka Dot Skirt

PolkaDotsThis skirt has actually been finished for more than a week, but I couldn’t muster the courage to draw before today. As for the courage to take pictures, well, I’m still looking for it. Thankfully I’m on holiday at the moment, so it shouldn’t be too long before I find it.

It’s a simple gathered skirt (following the explanations in Gertie’s book) to which I added cute pockets per this great tutorial. I have to say the result is much prettier in real life than on my poor little drawing. Better that than the contrary, right?